Abstract:
:The impact that the analysis of sound waves has made on theories of light is well known, and is touched upon here. However, the acoustic figures described initially by Robert Hooke in 1665 and in more detail by Ernst Chladni in 1787 (often referred to as Chladni figures) were instrumental in vision in two specific respects. First, their representation by Tyndall [1867 Sound. A Course of Eight Lectures Delivered at the Royal Institution of Great Britain (London: Longmans, Green)] in a book on sound resulted in the description of a visual illusion, the Hermann grid. Secondly, attempts to render the acoustic figures visible (on the basis of briefly persisting images) led to the discovery of instruments that could synthesise movement. These two developments are discussed in their historical contexts.
journal_name
Perceptionjournal_title
Perceptionauthors
Wade NJdoi
10.1068/p5295keywords:
subject
Has Abstractpub_date
2005-01-01 00:00:00pages
1275-90issue
10eissn
0301-0066issn
1468-4233journal_volume
34pub_type
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