Caricature and contrast in the Upper Palaeolithic: morphometric evidence from cave art.

Abstract:

:The earliest known explicit and unambiguous employment of representation in external media is in the form of figurative depictions of large mammals during the Upper Palaeolithic. These images, though often created with evident technical skill and intimate knowledge of the subject matter, are frequently characterised by curious and pronounced distortions. We provide evidence, based on quantitative analysis of parietal graphic images of two commonly depicted species, for the hypothesis that certain of these distortions are neither errors nor idiosyncratic variations, but systematic deviations from veridicality in the form of caricatures consistent with cognitive principles of graded typicality and contrast in categorisation. Our analysis provides evidence that the first apparent conventions of representational art by humans were informed by basic cognitive-perceptual principles of categorisation.

journal_name

Perception

journal_title

Perception

authors

Cheyne JA,Meschino L,Smilek D

doi

10.1068/p6079

subject

Has Abstract

pub_date

2009-01-01 00:00:00

pages

100-8

issue

1

eissn

0301-0066

issn

1468-4233

journal_volume

38

pub_type

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